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We all know that confidence is essential to survive the creative journey—but unchecked ego can silently destroy your writing career before it ever gets off the ground. If you're convinced that you're already “God’s gift to the literary world,” you may be unknowingly building walls instead of bridges.
Today’s writing world—filled with information, algorithms, gatekeepers, and readers who speak their minds loudly and instantly—doesn’t have time for delusion. It’s time to get humble, get real, and grow.
1. The Writing Industry Isn’t as Big as You Think It Is
Despite the internet making the publishing world seem limitless, it’s surprisingly small—especially once you enter the spaces where professionals actually make decisions. Literary agents talk. Editors talk. Publishers definitely talk. If you're difficult to work with, dismissive of feedback, or insufferably egotistical, the word can and will get around.
And while AI tools may generate content, they still can’t generate trust, collaboration, or professionalism—only you can do that.
📊 Industry Snapshot (2025):
- Literary Agents: 1,000+ in the U.S., with ~658 actively seeking submissions.
- Authors: Only ~7,591 employed authors nationwide; most earn less than $10,000/year from writing alone.
- Editors: ~131,000 editors working in the U.S., with a projected 2% job decline over the next decade.
- Publishers: ~3,041 U.S. book publishers, ranging from Big Five imprints to micropresses.
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2. Overconfidence Leads to Lazy Mistakes
Believing you know everything leads to one of the most damaging habits a writer can develop: ignoring facts and feedback. Many overconfident authors don't research, don’t question their first drafts, and assume they’re above revision. But publishing a “clean” manuscript riddled with cultural anachronisms, tone-deaf metaphors, or factual errors is worse than a few typos.
Example:
If you’re writing historical fiction set in 1650 and your character “puts on her panties,” you’ve already lost the reader. Panties, as we know them, didn’t exist in that time period. A 30-second search would’ve saved your credibility. Instead, readers leave reviews saying things like, “This author clearly didn’t do their research.”
Overconfidence makes you blind to flaws that are painfully obvious to everyone else. And in today’s landscape, readers are not quiet about it.
3. You’ll Stop Learning—and Writing Will Stagnate
Every industry evolves—and writing is no exception. Narrative structure, reader expectations, even grammar preferences change with time. If you think you’ve “mastered” the art and stop reading craft books, studying contemporary novels, or staying current with industry trends, you’ll fall behind. Fast.
Then vs. Now – Dialogue Example:
❌ “I’m going to the store now,” Jill sighed and grumbled as she waited impatiently for her husband to hand her the grocery list.
✅ “I’m going to the store now,” Jill said. She sighed, tapping her foot as she waited for her husband to finish the list.
The second version reflects modern style: clarity, clean attribution, action over adverbs. If you’re not willing to update your habits, readers will move on to authors who are.
Also? Your overuse of bold, ALL CAPS, ellipses… or “quirky” formatting!!! won’t charm anyone. It only screams amateur.
4. You’ll Reject Feedback That Could Save Your Book
One of the most damaging traits of overconfident writers is the inability to take critique—especially when they’ve paid for it. You might rationalize, “The editor didn’t get it,” or “That beta reader doesn’t understand my genre,” but if you hear the same note more than once, it’s not a fluke. It’s a warning sign.
Example:
If multiple readers say your protagonist feels like a doormat, and your intent was to write a badass hero—guess what? It’s not the readers who are wrong. It’s the execution.
Feedback is not personal. It's professional. And the ability to hear it without crumbling or lashing out is a sign that you’re growing into a career—not just chasing the dream of validation.
5. Confidence ≠ Arrogance: Know the Difference
Confidence says: I’m committed to getting better every time I write.
Arrogance says: I’ve already arrived, and you should worship what I produce.
Confidence builds career longevity. Arrogance burns bridges—often before you even knew they were there. Agents, editors, and serious readers don’t want to work with writers who think they’re unteachable. They want collaborators, not cult leaders.
In Summary: Let the Work Speak Loudest
There’s nothing wrong with believing in your talent. But talent isn’t enough. The authors who build meaningful, sustainable careers have something else: humility, consistency, curiosity, and the ability to course-correct when they’re wrong.
So next time your inner critic says you’re not good enough, remind yourself that you’re here to learn, not perform. And the next time your ego says your work is flawless, pause and ask: What can I improve, right now, to serve the reader better?
That’s the real power move.
✅ Companion Checklist: Gut Check for Confident Writers
Stop, Reflect, Grow—Before You Hit Publish or Submit
Use this checklist to catch blind spots, stay coachable, and avoid fatal writing flaws caused by overconfidence. Be honest. No one has to see this but you.
🧠 Mindset Check
- Am I assuming my manuscript is “done” just because I’m tired of working on it?
- Am I willing to change a major scene, character arc, or structure if feedback suggests it?
- Can I name three things I’m still actively learning about writing?
- When I receive critique, do I pause before reacting—or do I defend it automatically?
🧾 Research + Realism Check
- Have I double-checked every historical, cultural, or scientific claim in this piece?
- Do all anachronisms, invented terms, or stylistic risks serve a clear purpose—or just my ego?
- Could someone from the background I’m writing about read this without cringing?
- Have I cross-checked my assumptions with at least one trusted research source?
🛠 Craft Check
- Have I read this manuscript aloud to catch awkward phrasing or overwriting?
- Have I edited for clarity, pacing, and tone—not just grammar?
- Have I updated my style to reflect current conventions in my genre?
- Am I relying too much on ALL CAPS, bold, italics, or parenthesis (again)?
📣 Feedback Check
- Have I gotten feedback from at least 2 real people (not family)?
- Have I heard the same critique from more than one person—and taken it seriously?
- Did I thank my beta readers, even if I didn’t agree with everything they said?
- Did I implement the changes that actually made the work stronger?
🌱 Growth Check
- Have I read a craft book or taken a workshop in the past 6 months?
- Can I name an author I’ve learned from recently?
- Have I edited anything recently that made me say: “Wow, I’ve grown as a writer”?
- Do I understand that I will always have something to learn—even after publishing?
🖋️ Final Reflection
Write down your answers to the following before moving forward:
- One thing I’m proud of in this piece:One piece of feedback I’ve been resisting—but need to consider:🧭 Confidence is important. But the path to mastery is paved with curiosity, humility, and adaptability.
- One thing I’m still unsure or insecure about:
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If you do a lot of novel writing in LibreOffice and use your LibreOffice files (after properly formatting them for your 6 by 9 book) as your publication file, you’ve probably created more than one Table of Contents for your ebook and print books. When you perform this task manually, it can take hours. Thankfully, LibreOffice has a function that will automatically create and format your Table of Contents for you.
1. Make Sure Your Settings Are Correct
It’s important to understand that LibreOffice is freeware, and it’s developed and maintained by volunteers. For that reason, certain functions may not be set up correctly, even if they exist. This is very true for the Table and Contents Index Function, which is located under the Insert menu. Most how-to instruction lists tell you to click on Insert→Table Contents and Index→Table of Contents, Index or Bibliography and click OK. This will get you a heading that says – Table of Contents – and nothing else. That’s not very useful. In fact, it leads to a lot of unnecessary frustration.
Read more: How to Create an Automatic Table of Contents in LibreOffice
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Are you looking for an affordable way to edit your fiction manuscript? If you are, the first thing that may come to your mind is hiring an editor. While hiring an editor offers benefits, like taking the editing off your hands and allowing you to get started on your next book while your editor works on your current book, it can be rather pricey.
Going Rates for Book Editorial Services
If you’ve taken a gander at my editing services, which I call Extreme Editing, you know that I charge $40 per 1,000 words, and you’re probably thinking, Holy Shit! That’s $3,200 for an 80k book! To be fair, that’s not proofreading. My extreme editing is a combination of line editing plus developmental editing. This means I fix what I can by adding description and clarifying passages, and I leave comments for things that need changed but have to be changed by you. Now, you’re wondering if that’s a fair price. Well, take a look at some of the other going rates. Fair Warning – I’ve never used any of these guys, so I cannot vouch for their services.
Read more: How Much Should You Pay for that Book Editing Service?
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If you’re submitting to agents in order to attain representation for a traditional publishing contract, you may be wondering what to do after you’ve completely exhausted your list. This article will explain what to do next. Hint: Wait for a response isn't an option.
Read more: What to Do When You've Exhausted Your List of Literary Agents
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If you're a writer, you already know that writing a book is a deeply personal journey. Your characters, plotlines, and prose are stitched together with your imagination, emotions, and often, pieces of your life. So when someone critiques your manuscript—especially a harsh or deeply analytical critique—it can feel less like constructive feedback and more like a personal attack.
But here's the truth: critiques are essential for growth. They can be the difference between a good book and a great one, and if you're serious about being published (traditionally or independently), learning to handle critiques is a professional skill worth mastering.
Let’s bust some myths, face some facts, and walk through the top 5 sanity-saving tips for surviving a detailed book critique—and using it to make your story stronger.
🔍 Myth #1: A Critique Is a Personal Attack
Fact: A book critique is about the manuscript, not you.
Tip 1: Emotionally Detach from the Work
Yes, your manuscript is your baby—but to revise effectively, you need to see it like an editor or a reader would. Pretend you didn’t write it. Step back and examine the feedback objectively. When you learn to separate yourself from your writing, critiques become less painful and infinitely more useful.
🔍 Myth #2: All Critiques Are Created Equal
Fact: Not every critique is helpful—or even valid.
Tip 2: Assess the Quality of the Critique
Good feedback is detailed. If your critiquer uses vague comments like “I didn’t like this character” or “the plot was boring” without explanation, disregard them. A strong critique should include specific examples, highlight problem areas, and explain why something isn’t working. Feedback without context is just an opinion, not a critique.
🔍 Myth #3: You Must Agree With Everything
Fact: You don’t have to take every piece of advice.
Tip 3: Decide What Feedback to Accept
Read the notes, then revisit the sections in question. Ask yourself:
- Do I agree with this feedback?
- Does it help clarify or improve the story?
- Will making this change bring me closer to my book’s vision?
If you disagree, that’s okay—but be honest with yourself about why. If you see the same feedback from multiple readers, that’s a red flag that something may need attention.
🔍 Myth #4: You Have to Change Everything
Fact: You are the author. You choose what stays and what goes.
Tip 4: Revise Intentionally
Use the feedback to make meaningful changes. Fix what improves pacing, strengthens characters, or tightens your plot. Leave what doesn’t resonate with your goals or style. You are the final decision-maker. Even if you’re not under contract, aim to make your book more marketable and impactful for your audience.
🔍 Myth #5: Critiques Are Only About Fixing Problems
Fact: A critique can show you what’s already working—and help you build on it.
Tip 5: Look for Positive Patterns
Don’t overlook the good stuff! If readers consistently praise your dialogue or world-building, that’s gold. Reinforce those strengths and use them as touchpoints to guide other areas of your book. Feedback isn’t just about what’s broken—it’s also about what shines.
💡 Conclusion: Critique is a Tool, Not a Sentence
Receiving in-depth criticism can be tough, but it's part of the professional writing process. Learning to handle feedback—without spiraling into self-doubt—is key to leveling up your craft. The strongest writers are those who can revise with clarity, purpose, and confidence.
So, next time you receive feedback, remember:
🧠 Detach emotionally.
🔍 Assess carefully.
✂️ Revise what matters.
🎯 Strengthen what already works.
Critique isn't the enemy of creativity—it’s the polishing cloth that helps your story shine.





